I’ve been spending a little time in the evening delving back into the photos I’ve scanned. It’s frustrating: I have small images, and they don’t create a lot of data for Lightroom to manipulate. Still, I’ve got a workflow for them now, and I’m more and more pleased with the results.
Some fixes are easy; some are tedious.
Uncle Dinky (never once did I call him by anything other than the nickname he’d had for most of his life) looks a lot better with a little work. Had to correct some colors a bit, but not much. I focused on getting his face bright and clear.
Apparently, I didn’t like getting a haircut as a child.
I’m most pleased with the tricks I’ve learned for the old red photographs that are so ubiquitous.
Look at that tone curve for reds: everything is in the mid-ranges. No red in the shadows; no red in the highlights. The same is always true for blue and green. I’m not sure how that all combines to give a red tint to everything, but I’ve found a solution: recalibrate the tone curve for each color and voila! It’s a semi-decent picture. Unfortunately, though, each picture’s tone curve skew is different, so creating a preset to do the work with the click of a button isn’t an option. I have to correct each color of each photograph manually.