gravity and grace

#39 — Destroying Frescoes of Happiness

The tendency to spread evil beyond oneself

In 1715, officials transferred Rembrandt van Rijn’s The Night Watch from its location at the Kloveniersdoelen, which served as rehearsal grounds for local militia, to the Amsterdam Town Hall. These officials wanted to place the painting between two columns.

The problem was, it wouldn’t fit. So they did the obvious. They trimmed it.

17th century copy with indication of the areas cut down in 1715. || Image from Wikimedia

Such a cavalier attitude toward art is completely unthinkable today. Modern cultures value historical works of art and go to great lengths to protect and preserve them.

Taliban destruction of Buddhas of Bamiyan || Image from Wikimedia

When the Taliban dynamited the Buddhas of Bamiyan in March 2001, the world decried the destruction of art of such historic value — an artifact of the world cultural heritage. Prior to the destruction, a delegation offered something of a ransom for the statues, offering to pay the Taliban not to destroy them.

I am horrified at these acts of destruction, but how often do I commit worse acts with my words? Weil writes,

The tendency to spread evil beyond oneself: I still have it! Beings and things are not sacred enough to me. May I never suely anything even though I be utterly transformed into mud. To sully nothing, even in thought. Even in my worse moments I would not destroy a Greek statue or a fresco by Giotto. Why anything else then? Why, for example, a moment in the life of a human being who could have been happy for that moment? (49)

Cutting someone down with a comment or a gesture is infinitely easier and quicker dynamiting statues or trimming canvases, and what I’m cutting when I do that — a soul — is vastly more precious than even the most beautiful creation of humanity. Why am I so willing to do this while I’d never think of destroying this or that painting, this or that sculpture? Perhaps it has to do with the ease and the lack of immediately visible consequence. An injured soul reveals itself only in the eyes, in the tone of voice, in a slumped posture, and it can skillfully hide the injuries behind a mask.

#38 — Imagination and Void

Parched

Parched by BenedictFrancis

The imagination is continually at work filling up all the fissures through which grace might pass (62).

Augustine famously said of God in his Confessions, “You have made us for yourself, and our hearts are rest-less till they find their rest in you.” Others have simply reformulated this as the “God-shaped hole,” the “terrifying bottomless abyss opening up inside us which we would do anything to fill” (Source). Yet perhaps Weil’s vision is a little more apt: it’s not a single hole, but a series of fissures that permeate our whole existence. That goes a long way in explaining why we’re so apt at blocking the various graces that we experience on a daily basis. We’re like kids with buckets of mud after an earthquake, trying to seal this crack, that fissure with something completely inadequate.

As alluded to earlier, Father Robert Barron rightly compares the substitutes with which we fill these holes to addictions. The analogy couldn’t be more apt. Addictions control us; we react without thinking through our conditioned addictions, and that false consistency — always “knowing” how to respond — gives us some sort of emotional comfort that accompanies the physical or psychological “comfort” that most addictions provide. And yet it is our addictions that close us off from so many positives in the world. Indeed, addiction in its severest form can become our world, at which point I suppose we’re living our whole life in a small little crack through which grace could enter.

#37 — Void and Evil

The world must be regarded as containing something of a void in order that it may have need of God. That presupposes evil (56).

The problem of evil for many is the single most convincing argument for an atheistic stance. Dr. Peter Kreeft, of Boston College, writes, “The problem of evil is the most serious problem in the world. It is also the one serious objection to the existence of God.” He continues,

More people have abandoned their faith because of the problem of evil than for any other reason. It is certainly the greatest test of faith, the greatest temptation to unbelief. And it’s not just an intellectual objection. We feel it. We live it.

Standford’s Encyclopedia of Philosophy summarizes it thus:

  1. If God exists, then God is omnipotent, omniscient, and morally perfect.
  2. If God is omnipotent, then God has the power to eliminate all evil.
  3. If God is omniscient, then God knows when evil exists.
  4. If God is morally perfect, then God has the desire to eliminate all evil.
  5. Evil exists.
  6. If evil exists and God exists, then either God doesn’t have the power to eliminate all evil, or doesn’t know when evil exists, or doesn’t have the desire to eliminate all evil.
  7. Therefore, God doesn’t exist.

The problem of evil has a mirror image, though I didn’t see it for many years. For many years, I encountered only the standard responses about the limits of human knowledge and “the best of all possible worlds” argument. Then there are the theodicies, which all reduce down to the proposition that freedom of will necessitates the option to do evil. But the flip side of the problem of evil is the problem of good: if things are the result of atheistic chance, why is there beauty, and relatively speaking, so much of it? Indeed, humans seem obsessed with the creation of beauty, though we don’t always agree with the definition of “beauty” — especially in the case of modern art.

Thus, in a sense, Weil’s words constitute a kind of theodicy in miniature. Evil has often been described as a void, as a privation of good — and thus, having no real existence. It’s the absence of good. That does little to explain why a loving God wouldn’t do something about the evil that seems to suffuse the world, but it does reframe the issue in a way that puts evil in the proper relation to good: a void.

#35 — Beauty and the Soul

Beauty captivates the flesh in order to obtain permission to pass right to the soul.

At the very core, all forms of beauty are the same. A lovely painting, the smile of a child, a moving piece of music, an animal in motion, gripping poetry, a bright orange sunset, fluid dance, and all other forms of beauty act upon the human heart similarly. Even in the most fleeting beauty, there’s a sense of timelessness and eternity. That paradox explains why we simultaneously assume the beauty is eternal and feel a pang of remorse from the nagging sense that it can’t possibly last.

My daily experiences with the beauty of my children are an incarnation of that paradox. They seem always to be changing, and the beauty of that moment is always so short as they learn more, master more, question more.

#34 — Chance and Meeting

“We want everything that has value to be eternal.”

VIV_9333

“Now everything that has a value is the product of a meeting, lasts throughout this meeting, and ceases when those things which  met are separated.”

VIV_9336

“That is the central idea of Buddhism (the thought of Heraclitus). It leads straight to God.”

VIV_9335

“Meditation on the chance which led to the meeting of my father and mother is even more salutary than meditation on death.”

VIV_9353

“Is there a single thing in me of which the origin is not to be found in that meeting? Only God. And yet again, my thought of God had its origin in that meeting.”

VIV_9350

And looking at our children, I have to think it was more than chance that led to my and Kinga’s meeting, but doesn’t every parent think that?

#33 — Is and Is Not

If God is, then everything else is not, writes Weil:

If we find fullness of joy in the thought that God is, we must find the same fullness in the knowledge that we ourselves are not, for it is the same thought. And this knowledge is extended to your sensibility only through suffering and death (84).

If God is, then everything else — including our suffering and death — is not. It’s a paradox of monotheism in general and Christianity in particular: when we speak of “God being,” we’re not using the verb “to be” in the same sense we do when speaking of our everyday reality. God’s “is” is not the “is” of the book that “is on my table.” God’s “is” is the “is” — the ground of every other “is,” and perhaps more appropriate written “Is.” Thomas Halik, explaining Meister Eckhart’s thought, expresses it thus:

He is “nothing” in a world of beings, because God is not a being among beings. And Eckhart goes on to declare that you must become “nothing” if you wish to encounter him. If you want to be “something” (that is, mean something, have something, know something, in short, be fixated on individual beings and the world of things), then you are not free to encounter Him (Night of the Confessor, 22).

God’s “is” can only be thought to be “nothing” in terms of our “is” because His is outside ours, the grounding of ours, the “Is.” Thus God gives Moses the name, “I Am.”

#31 — Monstrous Trinity

Money, mechanization, algebra. The three monsters of contemporary society.

I was never really all that comfortable with math. One would think, given the turn my theological predilections in my mid-twenties, that I would eventually have changed my mind on the topic. Not so. Math and I simply don’t get along.

Conceptually, it’s very appealing: no gray, all black and white. No maybes in math — unless there’s uncertainty in abstract math, which I can paradoxically both imagine and not imagine. The suggestion that it could be a monster of contemporary society strikes me as perhaps the first (coming 95% into the book) and only joke in the entire work. That it comes so late and stands alone as the sole example of humor makes me think perhaps she wasn’t joking.

One could argue that there is a clear line between the three in contemporary society: complex math leads to greater mechanization, which leads to a greater divide between the human producer and the money produced. That’s a very Marxist filter, though, and I’m not sure Weil would approve: she became increasingly critical of Marx as she entered her thirties.

And quite frankly, as I was last night, I’m too tired to think more of it. Oh for the end of Lent and 40 things…

#30 — Transposition

Weil on transposition:

We believe we are rising because, while keeping the same base inclinations (for instance: the desire to triumph over others), we have given them a noble object. We should, on the contrary, rise by attaching noble inclinations to lowly objects.

My thoughts — bed…

(Yet another cheat…)

#28 — Chance and Good

Beauty is the harmony of chance and the good.

The element of chance in our lives would probably overwhelm us if we knew its extent. A decision not to go with a newly-founded school’s students on a field trip to the Baltic might lead to a chance invitation to a bar where one meets a new friend. A chance meeting of one’s student with the friend’s neighbor might get you both invited to an eventual wedding, where one suddenly discovers that the friend is really someone more wonderful than one imagined.

And from that string of chance — or is it more? — comes good. And so beauty.

A chance walk on an uncommonly warm February day might lead to a meeting that leads to a dear friend.

#27 — Monotony of Evil

Monotony comes in many forms.

Monotony of evil: never anything new, everything about it is equivalent. Never anything real, everything about it is imaginary.

It is because of this monotony that quantity plays so great a part. A host of women (Don Juan) or of men (Celimene), etc. One is condemned to false infinity. That is hell itself.

This is becoming one of those forms.

#26 — Eternity

Stars and blossoming fruit trees: Utter permanence and extreme fragility give an equal sense of eternity.

How can utter fragility provide a sense of eternity? I’ve sat and thought about that for a while, and it seems one of those things that I understand intuitively but am unable to put into words. The fact that it could pass out of existence at any moment fixes it firmly to that moment, but eternity doesn’t seem to be about moments — it appears to be the opposite, in fact. Yet the usual way of thinking of eternity is to imagine it as infinite moments, one after another, in a never-beginning, never-ending line. Indeed, a line in the strictest geometrical definition. That’s the paradox of eternity: it’s every moment in a never-ending moment.

It is a succession of spring blossoms under an unchanging blanket of constellations.

#24 — Time and Incarnation

There is always a relationship with time to be taken into account. We must get rid of the illusion of possessing time. We must become incarnate.

The desire to possess time and the realization that it’s an utter impossibility is one of the marks of the transition to adulthood we all go through. It was a troubling time for me, as it is for most, because it means, on some level, the relinquishing of the idea of eternal youth. Perhaps that’s what the acceptance of one’s on mortality is about in some way.

It’s just this desire to possess time that Adam Duritz sings about in “A Long December,” a song that haunted me as I thought about things past that would never return.

And it’s been a long December and there’s reason to believe
Maybe this year will be better than the last
I can’t remember all the times I tried to tell myself
To hold on to these moments as they pass

We can’t hold on to these or any other moments, and the continual effort to do so would only be a sign that we’re not maturing, emotionally or spiritually.

#23 — Creation

Creation: good broken up into pieces and scattered throughout evil.

Some days, I hate my job. That’s nothing new, I guess, but some days, working with over a hundred eighth-graders and dealing with all their hormone-driven nonsense, feeling that the evil — for lack of a better term, though it is hyperbolic — vastly outweighs the good, pondering whether teaching is not “good broken up into pieces and scattered throughout evil,” I want to stand up and say something like this:

I don’t care. I don’t care who called you a name. I don’t care who’s tapping a pencil and bothering you. I don’t care if you left your pencil in your last class. I don’t care if you didn’t have a pencil to begin with. I don’t care if you think last night’s baseball game was great. I don’t care if you’ve lost your book. I don’t care if you like someone. I don’t care if someone teased you about your haircut. I don’t care if you forgot to do your homework. I don’t care if you left your book at home. I don’t care if you don’t like someone. I don’t care if someone beside you passed gas. I don’t care who’s spreading rumors about you. I don’t care if the person seated behind you is tapping your desk with her foot. I don’t care if someone told you shut up. I don’t care if you’ll forget what you were going to say if you don’t say it now, to someone seated on the other side of the room. I don’t care if someone made a comment about your shoes. I don’t care if someone threatened to pour milk on your head. I don’t care if you wanted to talk to him. I don’t care if you don’t want to work with him or with her. I don’t care if someone made a joke about your grades. I don’t care if you needed some attention and so continually cut up in class. I don’t care if someone threw your book in the garbage on the way out. I don’t care about any of your childish, kindergarten problems.

All of these statements have been true. Sometimes many of them have been true at the same moment; at other times, only a handful. Usually, the moment passes and I remember that I do care. Of course, some of these things are so trivial that my concern matches their triviality, but I think you’re still too young to understand that fully. Still, the moment most of them become true most of the time or, heaven forbid, all of them are true all of the time will be the moment I realize I must leave teaching.

I thought for a moment this afternoon that that was the case.

#21 — Filling and Creating Emptiness

To harm a person is to receive something from him. […] We have gained in importance. We have expanded. We have filled an emptiness by creating one in somebody else (50).

Perhaps the best example of filling an emptiness by creating one in another is bullying. Working at a middle school, I’m witness to many major and minor instances of bullying on a daily basis, and it seems to be getting only worse. Statisticians tell us that’s definitely the case, but even if they weren’t providing empirical evidence, I get enough anecdotal evidence daily to make a strong case.

As a teacher, I find I have to walk a thin line. On the one hand, we’ve seen the headlines of recent years, this or that tragic suicide traced back to prolonged bullying, actions that have created situations in which some people feel suicide is the only alternative. Bullying, then, is literally a deadly serious, and as the authority figure in the room or hallways, I have a responsibility to put an end to it when I encounter it. Yet most bullying today is not like the bullying I occasionally encountered. Today’s bullying, ban and large, is verbal. Indeed, there is a whole category of bullying that could be only mental: cyber bullying. In other words, a lot of bullying is of the type “Sticks and stones will break my bones but words will never hurt me.” Yet the truth is, words do hurt. Still, we need resilient, self-assured kids who can take care of themselves and who know how to avoid internalizing the stupid little comments they hear and will hear, in one form or another, throughout life, so I don’t want to help kids become dependent on me — or anyone else — to swoop in and save the day every single time says something mean and bullying.

And so when I do encounter something that I judge to be relatively minor but still behavior that could be considered “bullying,” I try to strike a balance. I deal with the individual who said the hateful words, but I spend more time talking to the person to whom he or she directed the words. (That was a long way to get around saying “victim.” It was a conscious choice.) I tell her that there are individuals who only feel good about themselves when making others feel bad. To quote Weil, these individuals have “gained in importance,” but only in their own mind.

#19 — Refusal

Weil writes,

God gave me being in order that I should give it back to him. It is like one of those traps whereby the characters are tested in fairy stories and tales of initiation. If I accept this gift, it is bad and fatal; its virtue becomes apparent through my refusal of it. God allows me to exist outside himself. It is for me to refuse this authorization.

It’s not something I pretend to understand. Even with a conversion to Catholicism and resulting reading and studying, the whole reason for a deity to create anything confuses me. If God is perfect, why create anything? What does that provide a perfect being that said being doesn’t already possess?

#18 — Future Pleasure

2012 Calendar

When we are disappointed by a pleasure which we have been expecting and which comes, the disappointment is because we were expecting the future. And as soon as it is there, it is the present. We want the future to be there without ceasing to be the future. This is an absurdity of which eternity alone is the cure (66).

As a kid, I used to look forward to the autumn with almost visible excitement. Every fall, we headed off for the closest thing to a vacation we ever had: a week-long religious festival that included enough relatively free time to make it feel like vacation. It meant missing school, which made it all the better, and given the fact that we saved all year for the one week, the relative affluence I experienced made it seem like Christmas every day. Yet every year, a strange melancholy overtook me ever so briefly at the beginning: it had finally arrived, and while I was thrilled about that, I also knew that I had nothing else to look forward to afterward.

Yet I think Weil is talking about more than the mere excitement of being in a metaphorical candy store. Underneath this longing for the future, this “absurdity which eternity alone is the cure,” is a very serious attempt to sketch out what some have described as a hint of the beyond, or as Peter Berger might have called it, a rumor of angels. That sense of never being fulfilled is a hint, Catholic writer Peter Kreeft argues, that there is something more to fulfill it.

Photo by danmoyle

#17 — Evil and Duty

Evil when we are in its power is not felt as evil but as a necessity, or even a duty.

He stood in the hallway, thinking I don’t really know what. Was he not aware that I’d heard the profanity coming from his mouth? Was he not aware that the profanity, misogynistic and vile. had indeed come from him mouth? Was he bluffing, hoping for some — what?

If I had asked him what possessed him to say those things, to call the female student a b—-, to become enraged, he would probably (indeed, likely, even predictably) justify it.

“She started it.”

“Did you see what she did to me?”

“Nobody’s going to do that to me and get away with it.”

A thousand and one excuses. A million and one reasons why the evil was not evil, but a necessity. A duty.

#16 — Imagination and Fiction

Imagination and fiction make up more than three quarters of our real life. Rare indeed are the true contacts with good and evil.

Weil’s words read like a quote out of The Matrix or Inception, and it’s easy to brush them off as metaphorical theorizing:

And it’s easy to pass it onto the “madding crowd” and insist that we ourselves are not imagining things, not asleep. We are fully aware of the reality around us and can separate it from wish and fantasy, but the materialistic hordes around us can’t. It’s easy to think that way.

VIV_8847
Afternoon at Bounce House

Surely, with rarefied reality all around us — the screams of delight of children at play, the hard crack of a helmet against plexiglass, a blast of cold air when we get out of the car — we are awake.

VIV_9005
A visit to the ice next to the Bounce House

Of course Weil doesn’t mean anything so cinematic. She’s simply pointing out our uncanny ability to deceive ourselves and fall for the farce completely, to create worlds out of our irrational fears and project them on everyone and everything, to believe that the way we see the world is the way everyone sees it and indeed the only true way to perceive it. I see the effects of this every day at school: some students have mastered already the art of fully deceiving themselves, convinced that they can do no wrong and that all the trouble they find themselves in can easily be laid at the doorstep of others (read: adults; read: teachers).

I’m not sure what the kick (to borrow a term from Inception) for this dream might be, especially when we’re not even sure we can kick ourselves awake. Perhaps awareness is the first and, paradoxically, last step. An afternoon spent with the Girl at a birthday party followed by a bit of first-time exposure to live hockey should be enough to separate fiction from good, imagination from evil.

That’s the secular answer.

I think Weil might not entirely agree, though. Like Inception, we need someone who doesn’t share that same reality, someone who’s at a level higher (literally in the film and in Catholicism too, I suppose) to help jar us out of the fictions we create for ourselves.