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education and teaching

Letters, Part Two

Over the summer, a former student tracked me down on Facebook and sent me a note. I'd had an interesting relationship with the young man: at times, I felt he was very frustrated with the class. Indeed, he said as much. And he also said that very often, when he'd asked for help, I didn't really help him. I thought about this for a moment, then realized that he wasn't yet recognizing what I was trying to do. It's something along the lines of the saying about giving people fish versus teaching them to fish.

The young man's note included one of those compliments that feels a little like a backhanded insult. He wrote, "I want to thank you for being such a great teacher and making the class not extremely boring." Apparently I was boring, just not extremely so. Yet the next few sentences simply set me to smiling:

You would help me sometimes and most of the time you didn't, and I am glad you did that. I realized that I can't be helped all the time and that I need to learn to do things on my own more often.

He closed by saying that I "made the class and literature enjoyable" for him, but that's really of little significance compared to helping him develop self-reliance.

One of the things I love most about teaching eighth grade is the simple fact that I teach more than my subject content. I came to realize this fully the other day, when I received the third letter.

To be continued, again...

R&J

It’s that time of the year, the highlight of my teaching year in many ways: I go over Romeo and Juliet with my English I class. I know I’ve mentioned this before, even at roughly the same time of the year. (The start of the second semester is just such a perfect time to begin the most challenging read of the year.) I suspect I’ll be writing about it every January, because I get such a thrill out of introducing a new group of kids to arguably the greatest writer in English.

It’s such a time of uncertainty for the students. Shakespeare has held such a vaunted place in their imaginations for so long that they’re certain it will be the most stilted, boring bunch of aristocratic nonsense they’ve ever encountered.

And then they hear the nurse making one sexual innuendo after innuendo: “I am the drudge and toil in your delight, / But you shall bear the burden soon at night.” They notice that Juliet is prone to making them, too:

‘Tis but thy name that is my enemy;
Thou art thyself, though not a Montague.
What’s Montague? it is nor hand, nor foot,
Nor arm, nor face, nor any other part
Belonging to a man.

They see Mercutio being a positively provocative smartaleck: “And but one word with one of us? couple it with / something; make it a word and a blow.” They find themselves not liking characters: “Mr. Scott, Romeo is kind of creepy in a way.” And out of the seeming blue, they find themselves able to follow three scenes (2.4-2.6) in a recorded performance without the aid of the text before them.

Every day, I ask the same question: “On a scale of one to five, how difficult are you finding Shakespeare now?” I ask students to hold up the number of fingers to express their difficulty with the text. After the first reading of the prologue, it was all fives. Now, after two acts, it’s a mixture of fours, threes, and twos.

I have the privilege of watching 100+ eighth graders grow and develop over the course of nine months. I see them developing self-control, self-confidence, and occasionally even calm humility, but these are part of the natural course of growing up. Seeing them gradually make their peace with an author they feared only months before (and I can claim all 100 for this, for everyone in my classroom comes to terms with the Bard at some point and some level) is something I can claim at least partial credit for, and it’s one of the many thousands of reasons I can’t imagine doing anything else.

Photo by -JvL-

One Semester in One Month

I just finished up a course on diagnosing and correcting reading deficiencies in middle and high school students. One of the most useful courses I've ever taken -- especially the book: Kylene Beers' When Kids Can't Read: What Teachers Can Do. It's my new classroom Bible.

The course was a one-semester course crammed into one month, what my school calls, appropriately enough, "January term."

Which is finally over. And which explains how we could take the Girl ice skating for the first time and it receive nary a mention here...

Maybe over the weekend...

Letters, Part One

Teachers have a dream letter. It’s the letter that says simply, “Thanks. You helped me.” Sure, it’s an ego boost, but more than that, it’s confirmation that a teacher is doing his job effectively from the only source that matters: the student.

I received one such letter after my student teaching. A young lady in the honors course I was teaching was frustrated with the amount of reading I’d assigned. She came to me after class and explained that she has great difficulty comprehending what she’s read. “I have to have my mother help me. She reads it and explains it,” she said quietly, wiping her tears and glancing about to see if any other students were in the room.

The next day, I gave her a list of techniques I’d created the night before while pouring over all my notes and books from college. I explained how each technique worked, modeling a couple. She used them at home and said they were helpful.

When my cooperating teacher had the students write letter to me before I completed the assignment (one thing you liked, one thing you didn’t, and advice for the future), she wrote a sentence that, though I have long since lost the letter, I remember clearly: “You’ve helped me more than you realize.”

Fifteen years later, I receive another letter.

To be continued

Journals

Frustration Bliss
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Reading eighth-graders' journals is like jumping in a time machine: all the angst, all the broken hearts, all the frustration with school. I see myself a thousand times over. Bored with this. Frustrated about that. Irritated with him. In love with her.

"Nothing new under the sun."

They'll find this out for themselves. But when I leave comments in their journal, how can I say this without being dismissive? It's a fine line.

First Day Back

Returning to school as a student was always something of a mix. There was a little relief because, let's face it: free time can get a little boring when you're a teen. At the same time, there was the return to dreaded classes and dreaded teachers. There were classes we didn't feel were worth our time (sometimes rightly, often not), but this was not the real problem.

The true problem was in the personnel: the teachers.

Though they were few, there were teachers gifted at turning interesting subject matter into drudgery because of their inability to share their enthusiasm or (probably more likely) their complete lack of enthusiasm. Such teachers often complained about the end of break, relied heavily on sarcasm in their interactions with students, and generally made no effort to hide the fact that they really didn't want to be there, that they really didn't enjoy working with us, and that, given any other options, they would choose just about any job over being a teacher. (This is certainly not to say that any teacher who complains about the end of a break or uses sarcasm is such a teacher.)

Those were the classes we endured when going back to school after a break. Was it best to have such a teacher first period, fourth period, or seventh? That was the only question. First period meant getting the dreaded class over with from the beginning. Seventh period meant capping a potentially great day with a sure disaster. Fourth was always good for me: not early enough to put me in a sour mood for the rest of the day and not late enough to leave a bad taste in my mouth before heading home.

I know there are still teachers like that. I suspect that if I snooped around a bit, I'd find one or two in my own school. Most teachers would say the same of their schools, I'm sure.

For such teachers, being in class is just as much drudgery as it is for the students. Neither wants to be there; all are counting the minutes to the end of the class. Such teachers drag themselves out of bed every morning and breathe a sigh of relief when the day is done. And so the first day back for them is sheer torture. It's a return to work.

Along the lines of the old adage, I've never worked a day in my life as long as I've been employed in education. Going back to school today was a pleasure. Indeed, I couldn't get to sleep for the excitement last night of trying some new lessons in old units. I walked down the hall this morning with an enormous smile on my face, and I greeted everyone -- students, teachers, administrators -- with a genuinely goofy cheerfulness. I told students that I'd missed them, that I'd been looking forward to returning, that I was a little bored without working with them.

Perhaps this helps explain why I have no behavior issues in my classroom beyond the talkative nature of thirteen-year-olds.

Potential

My English 1 Honors class is about to start the Odyssey. For their weekly short essay assignment, I asked about heroes and heroism. Commenting on the usual association of "hero" with super powers, one student wrote the following:

In fact in the real world having superpowers would make you a villain sooner than it would a hero because though the idea of superheroes saving the world on a regular basis is nice and all, name one superpower and there are probably more than ten different ways to exploit it for personal gain and in a world where “look out for number one” is a personal motto for most of the world it is no long shot that with real superpowers there would be more villains than heroes in the world.

Getting these kinds of results is a real boost: such potential in this kid's writing. The problems are purely cosmetic: nothing a few mini-lessons on sentence variation, punctuation, and voice can't buff out.

Expectations and Challenges

"Teacher Appreciation" featured phot...
Image via Wikipedia

Bonnie Davis writes in How to Teach Students Who Don't Look Like You,

In searching for the causes of the achievement gap, [Haycock] and her research colleagues ask adults why there is a gap. They hear comments from educators that the children are too poor, the parents don't care, and they come to school hungry. The reasons, she adds, are always about the children and their families. Yet, when she talks to the students, she hears different reasons. Students talk about teachers who do not know their subject matter, counselors who underestimate their potential and misplace them, administrators who dismiss their concerns, and a curriculum and expectations that are so low level that students are bored.

I'm curious about the methods of this study. Were teachers simply asked to share their assumptions, with researchers later collating and categorizing them? Or was there a questionnaire? Either way, there is an element of interpretation necessitated by such research that might make it far from objective.

I'm particularly curious about the claim that students find the curriculum so low-level that they're bored. I don't doubt their claim to be bored, but I'm skeptical about the cause of that boredom.

In my own classroom experience, I've found the state-mandated curriculum to be too challenging for many of the students placed in on-level classes (students who, generally, actually read two to three grade levels lower than their actual grade). I often feel my expectations are too high.

But is this why children are bored in the classroom? Is there a societal element? I believe there is. Contemporary entertainment media -- games, television, the Internet -- have taught students to expect short, entertaining bites of information.

The question is obvious: are we competing with the new media?

We might be in competition for students' attention, but to that I'm tempted to say, "Well, that's at least equally the students', parents' and teachers' fault." I agree that teachers should be interesting and engaging, but the point of the classroom is not entertainment, and the defining criterion of an effective twenty-first century teacher should not be their ability to entertain students.

Literacy, On the Fly

We began a new unit on Nightjohn and literacy in the English Studies class today. Just as the students were starting the kick-off, which was to answer the essential question, "How does literacy change lives?", I had remembered William Meredith's "The Illiterate." It's always been one of my favorites, a sonnet that takes all the rules about sonnets and bends them slightly. Cursing (internally only), I was frustrated that I hadn't thought of it earlier. It was one of those moments where the teaching-as-an-art kicked in. I thought about it for a moment, Googled the title, and, finding it available online, decided to improvise.

I thought I'd try a technique I'd learned at the South Carolina Middle School conference at Myrtle Beach last year, but not having printed copies, I had to improvise.

I projected the poem on the whiteboard and read it aloud to the students.

The Illiterate

By William Meredith

Touching your goodness, I am like a man
Who turns a letter over in his hand
And you might think that this was because the hand
Was unfamiliar but, truth is, the man
Has never had a letter from anyone;
And now he is both afraid of what it means
And ashamed because he has no other means
To find out what it says than to ask someone.

His uncle could have left the farm to him,
Or his parents died before he sent them word,
Or the dark girl changed and want him for beloved.
Afraid and letter-proud, he keeps it with him.
What would you call his feeling for the words
that keep him rich and orphaned and beloved?

"Turn to a partner," I said when I finished, "and select the five to eight most important words in the poem." As they finished up, we went though the poem line by line, and I circled important words students called out from behind me. In the end, with a few suggestions from me, it looked something like this:

Touching your goodness, I am like a man
Who turns a letter over in his hand
And you might think that this was because the hand
Was unfamiliar but, truth is, the man
Has never had a letter from anyone;
And now he is both afraid of what it means
And ashamed because he has no other means
To find out what it says than to ask someone.

His uncle could have left the farm to him,
Or his parents died before he sent them word,
Or the dark girl changed and want him for beloved.
Afraid and letter-proud, he keeps it with him.
What would you call his feeling for the words
that keep him rich and orphaned and beloved?

"That's more than five to eight words," one student pointed out.

"True, but this was what I was aiming for in the long run, so it worked out well."

I read the poem again, and then we talked about its meaning based on the highlighted words. They quickly saw that the letter contains three options: riches, sadness, and love. We jumped to the last line and reread it.

"Turn back to your partner and come up with three words that might describe his "feeling for the words that keep him rich and orphaned and beloved." The responses were varied, as I'd hoped:

  • concerned
  • worried
  • mysterious
  • curious

We went back to the poem once more, and I led them to see that the  majority of the poem is an extended simile to explain the poets feeling when touching the unnamed subject's goodness.

Turning it back to the essential question, I had students write in their journal how literacy would change the narrator's life. We shared a few, then moved on to the next portion of the anticipatory lesson for Nightjohn.

As I write this, though, it occurs to me that I missed a significant portion of the potential power of the improvised activity. The narrator is not illiterate in the literal sense of the word (pun not intended). He is, however, illiterate. It might have been worthwhile to see if the kids could pick up on the emotional illiteracy that the poem is expressing.

Still, not bad for ninety seconds of planning and another sixty seconds of preparation.

Other Side of the Desk

I sit quietly, looking at the long list of assignments upon which the professor will be basing our grade. Thinking of all my other obligations, I find myself wondering if I'll survive the next few months.

And I am pleased with that.

Being a teacher without being a student on a regular basis is about like being a mechanic who never drives. It's one thing to "dish it out." It's another to take it.

To see the classroom from both sides of the desk is to ensure reasonable expectations from one's own students.