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The Downward Side

The holiday season is parabolic. We spend all this time preparing for it, getting excited for it, cooking for it, and then, in a rush and a flash, it’s all over. The lights are still shining; the tree is still up; the Girl still sings carols. But we all know that we’re on the downhill side of the parabola. And this morning, it was if the weather were supplying the scenery on cue.

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In the past, this was a source of wistful sorrow, this let down after such an emotional high. It’s the return to the normal, a return from that time when everything seems to stand still for just long enough for us to catch a whisper of something greater than our everyday lives. In Polish, this normal life, this “everyday reality” is called codzienność, “everyday-ness,” and the clumsiness of that translation — that awkward “-ness” — seems somehow more appropriately descriptive of codzienność, without that scent of pseud-philosophy the “reality” part of the English equivalent provides.

Children, I think, get this on a daily, multi-dose basis on the playground. They stand in line for this or that piece of equipment, filled with an anticipation and excitement that only makes the wait more torturous. The actual activity — the slide, the swing — passes in a flash, and they’re back at the end of the line. In that sense, it’s not a parabola; it’s a sine curve. And I suppose it is for us adults as well, it’s just got a longer wave length.

Holiday Riding

Step one: arrange some improvised pylons.

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Step two: break into enormous smiles at the successful completion of the first turn.

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Step three: take off your helmet and engage in wistful thought

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And give another hint of what you’ll look like in ten years.

Christmas 2011 Baking

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A day that starts like this — sunny and warm after a cold, cloudy day before — begs to be played in (and have passive voice sentences written in). We need to visit a park, go for a walk, play in the sun.

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But it’s baking day, and the Girl has been waiting anxiously — pesteringly, one might even say — for this day because she gets to use her fabulous new holiday-themed cookie cutter set. After a quick lesson, she’s ready to go.

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Soon we have candy canes, Christmas trees, gingerbread men (though cut from sugar cookie dough), and stockings ready for the oven.

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All we need are a few sprinkles of decorative mystery color that the Girl picked out, filled with uncontrollable excitement, during a trip to the market yesterday.

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The adult versions get a coating of frosting lemony frosting and a sprinkle of roasted pistachios. A cheese cake in the afternoon and the year’s modest holiday baking is complete.

Rainy Holidays

We wake to a gray, foggy, and rainy morning, a day that promises only to compound the misery of trying to do anything in town. It’s the kind of day that one wants to stay inside, cuddle up,

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and watch the Pacific Northwest Ballet’s performance of The Nutcracker.

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It’s almost ninety minutes of dancing, with only limited, very sporadic narration, yet the Girl sits, fascinated. “When is the Sugar Plum Fairy coming?” she asks, over and over and over, with it often coming out as “Sugar Flum Pairy.”

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Yet it’s not all relaxing, even if two of the three of us is feeling a little less than 100%. With Christmas nearing, it’s time to get to work on the Wigilia dinner — the Christmas Eve food extravaganza. Tonight, it’s pierogi z kapustÄ… i grzybami (dumplings with cabbage and mushrooms) and uszka z grzybami (smaller dumplings — “ears” — with mushrooms).

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We all have different jobs, with the Girl having the most fun and consequently making the biggest mess.

Magic

Some days just seem filled with it.

Source of Taste

A little fire, a lot of smoke, and one ends up with peppercorn-covered, smoky tenderloin magic.

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A few twigs of evergreen and a sweet helper and one ends up with a charmed Christmas ornament, a mini-tree for the kitchen.

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And there’s always the magic of dancing.

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Performance

What would a Polish Christmas season be without a gathering that included a “short artistic program” — a skit? It seems the urge to produce amateur dramatic performances leaches into the potatoes that sustain Poles because it’s simply everywhere.

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Yet the idea behind such performances are among the things that keep a culture alive for centuries. It’s the same creative impulse that leads to symphonies and epics.

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And in a situation like the one in which K and the other area Poles find themselves, in a different land with different traditions, such performances ensure that the legacy they leave to their children will have a significant element of beets, potatoes, consonant-laden words, and songs — a culture within a culture.

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Last year’s celebration is here.